Wen 妏 is an experimental typographic system that reimagines the visual legacy of Chinese writing through a feminine and diasporic lens. The title Wen 妏 embodies the project’s aim to reimagine what has been historically overlooked: 妏, formed from 女 (woman) and 文 (writing), is a character stripped of meaning and relegated to ornament. Drawing from traditional rhetoric and embodied knowledge, Wen translates the unseen textures of history into a speculative typographic system. Inspired by Li Qingzhao’s spatial poetics, Wen treats written language as a tactile landscape, rewriting what could have been and what might still become.